By Betine van Zyl Smit
A guide to the Reception of Greek Drama bargains a chain of unique essays that characterize a finished review of the worldwide reception of old Greek tragedies and comedies from antiquity to the current day.
- Represents the 1st quantity to provide an entire evaluate of the reception of historical drama from antiquity to the present
- Covers the interpretation, transmission, functionality, construction, and variation of Greek tragedy from the time the performs have been first created in historic Athens throughout the twenty first century
- Features overviews of the background of the reception of Greek drama in so much nations of the world
- Includes chapters protecting the reception of Greek drama in sleek opera and film
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A guide to the Reception of Greek Drama bargains a chain of unique essays that characterize a finished review of the worldwide reception of historical Greek tragedies and comedies from antiquity to the current day. Represents the 1st quantity to supply a whole evaluate of the reception of historical drama from antiquity to the current Covers the interpretation, transmission, functionality, creation, and edition of Greek tragedy from the time the performs have been first created in historic Athens during the twenty first century gains overviews of the historical past of the reception of Greek drama in such a lot international locations of the area comprises chapters overlaying the reception of Greek drama in glossy opera and movie
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Additional resources for A Handbook to the Reception of Greek Drama
1884. Die attische Politik seit Perikles. Leipzig: Teubner. Bosher, Kathryn. 2014. ” In Revermann (2014): 79–94. Clay, Diskin. 2004. Archilochos Heros: The Cult of Poets in the Greek Polis. Cambridge, MA: Harvard University Press. Collard, Christopher and Martin Cropp. 2008. Euripides, vol. VII, Fragments: Aegeus‐Meleager. Cambridge, MA: Harvard University Press. Csapo, Eric. 2010. Actors and Icons of the Ancient Theater. Chichester: Wiley‐Blackwell. Csapo, Eric, Hans‐Ruprecht Goette, Richard Green, and Peter Wilson.
Cambridge: Cambridge University Press. Revermann, Martin and Peter Wilson, eds. 2008. Performance, Iconography, Reception. Studies in Honour of Oliver Taplin. Oxford: Oxford University Press. Roselli, David. 2011. Theater of the People: Spectators and Society in Ancient Athens. Austin: University of Texas Press. Sommerstein, Alan. 1993. ” In Tragedy, Comedy and the Polis, edited by Alan Sommerstein, Stephen Halliwell, Jeffrey Henderson and Bernhard Zimmermann, 461–476. Bari: Levante Editori. Taplin, Oliver.
2004. Tragicorum Graecorum Fragmenta vol. V: Euripides. Göttingen: Vandenhoeck and Ruprecht. Lanni, Adriaan. 2006. Law and Justice in the Courts of Classical Athens. Cambridge: Cambridge University Press. Millis, Benjamin and Douglas Olson, eds. 2012. Inscriptional Records for the Dramatic Festivals in Athens. IG II22318–2325 and Related Texts. Leiden: Brill. Nervegna, Sebastiana. 2013. Menander in Antiquity: The Contexts of Reception. Cambridge: Cambridge University Press. Osborne, Robin. 2008.
A Handbook to the Reception of Greek Drama by Betine van Zyl Smit