By Arthur F. Kinney
This expansive, inter-disciplinary consultant to Renaissance performs and the area they performed to offers readers a colourful assessment of England's nice dramatic age.Provides an expansive and inter-disciplinary method of Renaissance performs and the area they performed to. bargains a colorful and entire evaluate of the fabric stipulations of England's most vital dramatic interval. provides readers evidence and information besides up to date interpretation of the performs. seems to be on the drama by way of its cultural company, its collaborative nature, and its ideological complexity.
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Additional info for A Companion to Renaissance Drama (Blackwell Companions to Literature and Culture)
Cambridge: Cambridge University Press. Haigh, Christopher (1988). Elizabeth I. London: Longman. Hammer, Paul (1999). The Polarisation of Elizabethan Politics. The Political Career of Robert Devereux, 2nd Earl of Essex, 1585–1597. Cambridge: Cambridge University Press. Hindle, Steven (2000). 1550–1640. London: Macmillan. Hirst, Derek (1986). Authority and Conflict. England, 1603–1658. Cambridge, MA: Harvard University Press. Jones, Norman (1989). God and the Moneylenders. Usury and Law in Early Modern England.
The idea of a contractual arrangement between monarch and people evolved extremely slowly. Economics, however, quickly enters the picture. Asking for whose benefit government exists leads to the issue raised by Sir Epicure Mammon and Dol Common (an aristocrat and a commoner) as to which system best permits the accumulation of private wealth – a question that dominates every modern election. This in turn leads to questions of taxation, and ultimately to the early modern assumption of no taxation without representation.
Somerset was displaced by George Villiers, reputed to be the handsomest man in England. Son of a gentry family, his looks overcame his lack of breeding, and his backers carefully trained him to seduce the king’s affections. Starting as cup-bearer at the royal table, he quickly succeeded. James knighted him in 1615 and made him a gentleman of his chamber and master of the horse. In 1616 he was made a viscount, and six months later duke of Buckingham. Buckingham applied himself with great energy to the king’s affairs, gathering offices to himself and demonstrating shrewd political skill.
A Companion to Renaissance Drama (Blackwell Companions to Literature and Culture) by Arthur F. Kinney